This year was no different, except that I took more notice of what was going on in the main ring from my straw bale seat, rather than over-indulging myself in the hospitality tent of the show sponsors. So I know a bit more about ladies riding side-saddle, which was nice, but am still nonplussed by JCB digger formation dancing. I had a lovely chat with a bloke who had brought old tools for sale from near Bawdsey in Suffolk and who told me about playing inside Martello Towers when he was a child, but inevitably got drawn to the ranks of restored, partly restored and still wrecked old tractors. Towering over them was a vehicle used to haul timber, also from Suffolk, and I stared for a long time at the hand wrought lettering 'ticked-in' on the door. I wondered at which point the artist realised he wasn't going to get all of 'Suffolk' in before the door edge was reached. Of course he or she knew. If you draw lettering you know instinctively.
And just as inevitably I got drawn into the secondhand book tent where I nearly got into a scuffle with a pal who had, I confess, seen a C.Henry Warren book illustrated by John Aldridge before I did. But I did alight successfully on the 1920 Dairy Farming book. I had to have it just for the cover, which pleased me immensely. Although I don't doubt that I shall benefit at some time by knowing that cows calving between October and January give the highest yields. It says on page 80. I've just made it into a big A3 print and it looks even better. Perhaps I'll do the same for Mr.Cooper's red door.