A rainy morning, big water drops spattering against the window, blurring my view of sheep huddled-up under the trees. So I start rummaging about in cupboards and staring at bookshelves in the hope of finding something inspiring. Normally the spine of a book tells its message quite clearly, and one moves on. But books without a traditional spine can all too often get neglected, presenting just a few leaves of faded cardboard and the odd rusty staple to the outer world. And so it is this morning as I prise open a gap between volumes and pull out the Pop-Up Train Book. Published by Purnell circa 1950, a line of type advocates the use of a paper clip to keep the book open. I used a bulldog clip so that I could share this 3D railway station with you. Just to give you the back story, John and Mary are sitting next to their luggage by the Booking Office, on their way to visit Granny 'who lives far away in the North of England'. I particularly like the book stall, with its ranks of colourful magazine covers. When publisher Victor Gollancz launched a cheap paperback imprint in the Thirties he spent an afternoon going round all the station bookstalls in London to discover the predominant colour used in print. So was born the classic yellow Gollancz covers. Goodbye John and Mary! Have a happy holiday!
I am a designer, writer and photographer who spends all his time looking at England, particularly buildings and the countryside. But I have a leaning towards the slightly odd and neglected, the unsung elements that make England such an interesting place to live in. I am the author and photographer of over 25 books, in particular Unmitigated England (Adelphi 2006), More from Unmitigated England (Adelphi 2007), Cross Country (Wiley 2011), The Cigarette Papers (Frances Lincoln 2012) and Preposterous Erections (Frances Lincoln 2012)