Stamford didn't want the railway anywhere near it at first, but when they finally succumbed in 1848 its Tudor manor architecture became an heraldic trumpet for this outstanding stone-built Lincolnshire town. It's worth a detour through the old coalyards (now crowded with new houses) to see it, and, if you like this sort of thing, to visit Robert Humm's transport bookshop housed in the old stationmaster's quarters. Over on the 'Leicester' side there is what was once an island platform, now with the far side bay overgrown. On the embankment are these white letters slowly sinking into the earth. I think they've been there since I regularly arrived here on steam trains in my school holidays. And that the makeshift sign was planted out with crocii and snowdrops in the spring, dahlias and wallflowers in the summer. Of course not much of this goes on now. The station is remarkably untouched, thanks to the stern eye of English Heritage I suspect rather than the altruism of whatever garishly-striped franchise is stopping and starting here. And trains are remarkably frequent and very well used. But Mr.Humm and his delightful assistants appear to be the only occupants. Every station door was locked on our visit, including the waiting rooms, and the only remote human contact seemed to be a timetable and a poster telling you what will happen if you don't buy a ticket.
Hurrah for Stamford and its station. And for the unexpected signs one finds at such places. I'll never forget the delight of arriving at Loughborough Station to see on the platform a sign saying 'Welcome to Loughborough, home of Ladybird Books' - with large Ladybird of course. Another bit of Unmitigated England. I wonder what happened to the sign.
I have often wondered what happened to the Ladybird sign. These days one would have no problem selling it at a vast cost to someone with an equally vast wall to put it on. I still mourn the loss of the Ovaltine girl up against a tree next to the railway line at Kings Langley, once the bucolic home of the bedtime beverage.
Excellent! We used to see quite a bit of 'White Brick Sans' back in the days when railway porters in the five or six hour interregnum between goods train arrivals used to hone their gardening and typographical skills. Garages were another source of these vanishing arts and even the occasional AA box had its tiny garden bounded by white-painted stones, the location being spelt out in pebbles as well as being painted on the box itself.
You've got me going now Jon, as always. John Betjeman did a little film about the railway line between Kings Lynn and Hunstanton, and did a piece to camera sitting on a platform seat in front of a hedge that had been very neatly trimmed to read 'Snettisham'.
I saw that piece of Betjemina. I'd quite forgotten the topiary aspect! The hours of care that must have been devoted to these projects. Pride in the job and pride of place I suppose. A relatively recent victim of hedge grubbing accompanied the demolition of the old Caffyns filling station on the A21 out of Eastbourne. This boasted marvellous signage carved from the living box. Now a home for the elderley (like much of Eastbourne), a totally undistinguished computer-generated sign solemnly declares the purpose of the new building. Something ghastly like 'Sunnyview' - ok in fretwork but souless in pvc.
'dahlias and wallflowers in the summer' They seem like a distant dream.....
Our station is equally devoid of humans, every time I use it I bore my children with tales of 'when I was a child, each platform had a waiting room with an open fire;and there was a signal box.'.....and on and on I go.... As I can still duck in under 50yrs of age,it's not so very long ago is it?
I am a designer, writer and photographer who spends all his time looking at England, particularly buildings and the countryside. But I have a leaning towards the slightly odd and neglected, the unsung elements that make England such an interesting place to live in. I am the author and photographer of over 25 books, in particular Unmitigated England (Adelphi 2006), More from Unmitigated England (Adelphi 2007), Cross Country (Wiley 2011), The Cigarette Papers (Frances Lincoln 2012), Preposterous Erections (Frances Lincoln 2012) and English Allsorts (Adelphi 2015)
"Open this book with reverence. It is a hymn to England". Clive Aslet
Preposterous Erections
"Enchanting...delightful". The Bookseller "Cheekily named" We Love This Book
The Cigarette Papers
"Unexpectedly pleasing and engrossing...beautifully illustrated". The Bookseller
Cross Country
"Until the happy advent of Peter Ashley's Cross Country it has, ironically, been foreigners who have been best at celebrating Englishness". Christina Hardyment / The Independent
More from Unmitigated England
"Give this book to someone you know- if not everyone you know." Simon Heffer, Country Life. "When it comes to spotting the small but telling details of Englishness, Peter Ashley has no equal." Michael Prodger, Sunday Telegraph
14 comments:
Hurrah for Stamford and its station. And for the unexpected signs one finds at such places. I'll never forget the delight of arriving at Loughborough Station to see on the platform a sign saying 'Welcome to Loughborough, home of Ladybird Books' - with large Ladybird of course. Another bit of Unmitigated England. I wonder what happened to the sign.
I have often wondered what happened to the Ladybird sign. These days one would have no problem selling it at a vast cost to someone with an equally vast wall to put it on. I still mourn the loss of the Ovaltine girl up against a tree next to the railway line at Kings Langley, once the bucolic home of the bedtime beverage.
Excellent! We used to see quite a bit of 'White Brick Sans' back in the days when railway porters in the five or six hour interregnum between goods train arrivals used to hone their gardening and typographical skills. Garages were another source of these vanishing arts and even the occasional AA box had its tiny garden bounded by white-painted stones, the location being spelt out in pebbles as well as being painted on the box itself.
You've got me going now Jon, as always. John Betjeman did a little film about the railway line between Kings Lynn and Hunstanton, and did a piece to camera sitting on a platform seat in front of a hedge that had been very neatly trimmed to read 'Snettisham'.
I saw that piece of Betjemina. I'd quite forgotten the topiary aspect! The hours of care that must have been devoted to these projects. Pride in the job and pride of place I suppose. A relatively recent victim of hedge grubbing accompanied the demolition of the old Caffyns filling station on the A21 out of Eastbourne. This boasted marvellous signage carved from the living box. Now a home for the elderley (like much of Eastbourne), a totally undistinguished computer-generated sign solemnly declares the purpose of the new building. Something ghastly like 'Sunnyview' - ok in fretwork but souless in pvc.
I have just three words to add to this: 'The', 'Railway', and 'Children'.
I bet the Ovaltine girl you had up against a tree is mourning the loss of you, as well...
Thankyou for that Simon, the thought had never crossed even my mind.
Lovely station and a bookshop to spend hours in. And we like crocii.
The first of my crocii are just showing flowers. A reminder that Spring is soon to be sprung. 'El Hamdullah' as they say where I've been.
Diving off on a tangent, I hear some signs make excellent bases' for worn out double beds ;-)
The secrets of the bedroom are never safe. Are they Toby?
'dahlias and wallflowers in the summer'
They seem like a distant dream.....
Our station is equally devoid of humans, every time I use it I bore my children with tales of 'when I was a child, each platform had a waiting room with an open fire;and there was a signal box.'.....and on and on I go....
As I can still duck in under 50yrs of age,it's not so very long ago is it?
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