And so to Northumberland with Youngest Son. I'd always wanted to see the painting above, which is one of eight at Wallington Hall (west of Morpeth) and the start of a series commissioned by Pauline and Walter Trevelyan in 1856 to illustrate salient points in Northumberland's history. This one is of a group of workers on Hadrian's Wall being roundly chastised by a Roman commander. The artist's model for this soldier was John Clayton, Town Clerk of Newcastle, who was instrumental in saving stone from Hadrian's Wall being nicked by local farmers for buildings. It is, I think, my favourite Victorian narrative painting.
Not wanting to find we were stuck out here until six o'clock we walked with long purposeful strides to the distant car park, our heads whirring with thoughts and stuck into big ice creams. We will return, next time maybe in the depths of winter with an easterly gale blowing, the threat of Northumberland snow in the bitter air and firelight in Lutyens' hearths lighting the herringboned-patterned brick floors.
Both Wallington Hall and Lindisfarne Castle are National Trust properties, and Moore's painting can be seen at the latter. Thank you NT.