It must've been sometime in the late 1970s, and a full page ad. in The Sunday Times Magazine. I'm ashamed I don't know which agency to credit, because this was an utterly original idea at the time. And still would be now really. It was part of a series that included Spike Milligan's Pentax with a face drawn on the silvered upper part of the body. Naturally. But being an uber fan of Ken Russell films I got particularly excited by this, and thought of all the shots it had taken and how it might've got that beautifully distressed look. Ken was a highly original photographer even before he started making films and his career took off with Monitor and Omnibus programmes at the BBC. I like to think that the absence of a strap was a personal choice rather than an art director's whim, because all the straps for cameras I've bought still lie unused in their cellophane packaging. I know it increases the possibility of a camera taking flight to possible destruction, but I feel hindered by them. I've only had one photography equipment disaster (he says, gripping a wooden desk), and that was whilst changing a lens on a Northumbrian beach. The 28mm winged its way out of my hand in a slow but graceful arc in order to land on wet sand that subsequently gave it a very disturbing grinding feel when changing f-stops. A man in an attic in Epsom sorted it all out.
I am a designer, writer and photographer who spends all his time looking at England, particularly buildings and the countryside. But I have a leaning towards the slightly odd and neglected, the unsung elements that make England such an interesting place to live in. I am the author and photographer of over 25 books, in particular Unmitigated England (Adelphi 2006), More from Unmitigated England (Adelphi 2007), Cross Country (Wiley 2011), The Cigarette Papers (Frances Lincoln 2012), Preposterous Erections (Frances Lincoln 2012) and English Allsorts (Adelphi 2015)