It's funny how even the most mundane of things can suddenly become embued with interest. I don't normally wander along streets with my face down in the gutter, unless it's a Friday night and I've been held to ransom in Shoreditch, but this image suddenly came to my attention as I left a Shepherd Neame pub in Colombo Street, a little to the south of Blackfriars Bridge in London. If it hadn't been dramatically lit by the late September light it would almost certainly have gone unnoticed. I didn't arrange the neat pile of leaves, they were grouped like this the last time a breeze ran down the quiet street, and I didn't have to move dog-ends or chewing gum either, remarkably. But as I knelt there fiddling about with my focal lengths a woman from some flats nearby did ask if I was alright. I almost certainly pretentiously saw it seventeen feet high in Tate Modern, an homage to the Boyle Family, perhaps called Edge of Darkness or something. But no, I just liked the look of it.