So. Happy New Year Everyone! After all the pies, Stilton and moshing over our cake to Metallica's Enter The Sandman, we go through the first gate into the first Unmitigated field of 2016. Above is a delight discovered on our Cheese Run. This entails getting lost (everytime, it's a Christmas Custom) in the quiet pastures of the Nottinghamshire / Leicestershire borders trying to find Colston Bassett. SatNav not allowed, we always seem to find ourselves facing the wrong way as Noddy Holder belts out Merry Christmas Everybody. (Noddy won't be drawn on what he makes every year, just says it's his winter fuel allowance.) But once the best Stilton in the world was stowed away we progressed to the tiny market town of Bingham. A town suffering somewhat from inappropriate out-of-scale development but still retaining good buildings around its market square. Except, as usual, for a Co-Op that pays no respect to anything around it.
But in a little side street were these gems on the frontage of J.Butler's butchers. It was, I think, still operational as a shop, but maybe not one with cows' and sheeps' heads knocking about. What I found amazing was that the two animals are on individual whole tiles, with a decorative border that's worthy of Walter Crane. (You can gauge their size by comparing them with the normal tiles surrounding them, which of course are square.) I think they're fabulous, and a reminder that there was once a time when the link between animals in the fields and the joints in our ovens wasn't so blurred.
I don't eat meat (but I do eat fish and eggs... go figure). So while I impressed with the two animals on the tiles and their decorative borders, it is not to build up a connection between the fields and my stomach. Rather it is because somebody put a lot of artistic effort into a very utilitarian purpose (a butcher shop).
I am managing the History Carnival for January 2016 and need nominations, for your own blog post or someone else’s, by 31/1/2016. The theme I have chosen for this month is History of the Visual, Performing, Musical and Literary Arts. But I want to reiterate that nominations for any good history posts will be welcomed.
Examine previous History Carnivals at http://historycarnival.org/index.html
The January 2016 nomination form is at http://historycarnival.org/form.html
What beauties! Some of the drawing on Victorian and Edwardian tiles was very good indeed. Firms like Doulton and Minton employed artists of very high calibre, many of them still unsung, and shop-owners were often glad to put that bit of extra effort in – both to give their business some promotion and because they wanted to work (and their customers to shop) in decent surroundings. We can still learn a thing or two from them.
Beautiful tiles. One admires the confidence of shop owners in the past that they would be in business long enough to make the investment in the tiles worthwhile.
Thank you all. Yes THA, I'd much rather stuff like this got conserved in situ rather than hauled into a museum. To probably lie in bits in the storeroom.
Lovely! I agree with Stephen Barker - shops and stores - or indeed factories were built to last in those days, to the extent of fixtures and fittings, and even external brickwork bearing the name or business of the company.
I am a designer, writer and photographer who spends all his time looking at England, particularly buildings and the countryside. But I have a leaning towards the slightly odd and neglected, the unsung elements that make England such an interesting place to live in. I am the author and photographer of over 25 books, in particular Unmitigated England (Adelphi 2006), More from Unmitigated England (Adelphi 2007), Cross Country (Wiley 2011), The Cigarette Papers (Frances Lincoln 2012), Preposterous Erections (Frances Lincoln 2012) and English Allsorts (Adelphi 2015)
"Open this book with reverence. It is a hymn to England". Clive Aslet
Preposterous Erections
"Enchanting...delightful". The Bookseller "Cheekily named" We Love This Book
The Cigarette Papers
"Unexpectedly pleasing and engrossing...beautifully illustrated". The Bookseller
Cross Country
"Until the happy advent of Peter Ashley's Cross Country it has, ironically, been foreigners who have been best at celebrating Englishness". Christina Hardyment / The Independent
More from Unmitigated England
"Give this book to someone you know- if not everyone you know." Simon Heffer, Country Life. "When it comes to spotting the small but telling details of Englishness, Peter Ashley has no equal." Michael Prodger, Sunday Telegraph
6 comments:
Happy New Year!
I don't eat meat (but I do eat fish and eggs... go figure). So while I impressed with the two animals on the tiles and their decorative borders, it is not to build up a connection between the fields and my stomach. Rather it is because somebody put a lot of artistic effort into a very utilitarian purpose (a butcher shop).
I am managing the History Carnival for January 2016 and need nominations, for your own blog post or someone else’s, by 31/1/2016. The theme I have chosen for this month is History of the Visual, Performing, Musical and Literary Arts. But I want to reiterate that nominations for any good history posts will be welcomed.
Examine previous History Carnivals at http://historycarnival.org/index.html
The January 2016 nomination form is at http://historycarnival.org/form.html
What beauties! Some of the drawing on Victorian and Edwardian tiles was very good indeed. Firms like Doulton and Minton employed artists of very high calibre, many of them still unsung, and shop-owners were often glad to put that bit of extra effort in – both to give their business some promotion and because they wanted to work (and their customers to shop) in decent surroundings. We can still learn a thing or two from them.
Beautiful tiles. One admires the confidence of shop owners in the past that they would be in business long enough to make the investment in the tiles worthwhile.
Lovely example, and good to see them still in place in the high street, rather than a reconstructed shop in a 'living' museum somewhere.
Thank you all. Yes THA, I'd much rather stuff like this got conserved in situ rather than hauled into a museum. To probably lie in bits in the storeroom.
Lovely! I agree with Stephen Barker - shops and stores - or indeed factories were built to last in those days, to the extent of fixtures and fittings, and even external brickwork bearing the name or business of the company.
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