Very Badmin

Fellow travellers in Unmitigated England will know of my passion for the work of S.R.Badmin. And indeed will doubtless share it with equal fervour. So finding an image I hadn't seen before is always a singular joy. Badmin produced many book covers, and indeed also illustrated books of the calibre of the Ladybird Book of Trees and Puffin Picture Books on trees and architecture (Village and Town). So I got very excited by discovering in Chipping Norton The Rolling Road by L.A.G.Strong, and its Badmin cover of which the above is a detail. It's 'The story of Travel on the roads of Britain and the Development of Public Passenger Transport' and this Swift coach sums it all up for me. Was there a Swift Coaches Company around in 1956, and if there was did they paint their vehicles in this sympathetic livery of pale lemon and deep pink? I do hope so. I bet the number plate is SRB something; Badmin often included his name or initials somewhere in the picture other than in the obligatory bottom right hand corner. One book on churches even has his name very prematurely on a tombstone in the foreground.
   I had the enormous privilege of taking tea at Mr.Badmin's home in Bignor, West Sussex, with a dear friend in the autumn of 1987. His large living room window looked out at the slopes of the South Downs and my friend said "It must be wonderful for you to have that view of the Downs just outside of your window" and he replied "Too close for me m'dear" and proceeded into the kitchen to put the kettle on. And it's true, so much of his work informs us with loving detail in the foregrounds, but quickly take us off to far horizons.

    These days we still always say when confronted by a stand of chestnuts around a farm or a line of willows by a slow-moving stream "Very Badmin" as if nature had decided to copy his work. Nobody 'does' trees like S.R.Badmin, but there's always much more in his paintings. If you can get hold of a copy of Highways & Byways in Essex (the last in the series in 1939, he completed it on the death of F.L.Griggs, the original illustrator) you will see his outstanding line drawings of buildings, such as Bures Mill above. But trees really were the thing. As we left Mr.Badmin's home I noticed that leaves from the trees in his garden had dropped with the rain onto my car. I carefully peeled them off and put them in a church leaflet I found in the glovebox. 'Leaves from Mr.Badmin's Garden' I wrote on the front. I still have it, the leaves now dry and brittle, but still embued with enchanting and very agreeable memories.

Unmitigated Tea Drinking

Now. I don't remember my parents reading The Sphere magazine (or indeed similar) in the 50s, but these full page advertisements for Brooke Bond Tea somehow ring bells. They're from a series in 1955 called "Round and about with the 'little Red Vans'", and probably took their cue from contemporary Post Office posters that positioned Royal Mail vans in market squares and village streets countrywide. Mind you 'little Red Vans' is slightly coy, considering these vans are the quite beefy and utterly unique Trojans. But I'm fascinated by the illustrations, not just because they are so redolent of my childhood, but because advertisers and their agencies produced such stunning work at this time, Think Shell, Whitbread, Johnnie Walker. True commercial art, the Suffolk scene at the top is by Rowland Hilder, the Broad Quay in Bristol by Morden. Time for a cuppa.